Meilleures ventes > > Entertainment
|
|
Meilleures ventes > > Entertainment
|
|
|
Garfield Spills the Beans: His 46th Book»rank: 1797par: Jim Davis
|
|
Story Guide To Screenwriting»rank: 4924par: Robert McKee
Chroniques et points de vue:From :Writing for the screen is quirky business. A writer must labor meticulously over his or her prose, yet very little of that prose is ever heard by filmgoers. The few words that do reach the audience, in the form of the characters' dialogue, are, according to Robert McKee, best left to last in the writing process. ('As Alfred Hitchcock once remarked, 'When the screenplay has been written and the dialogue has been added, we're ready to shoot.' ') ln Story, McKee puts into book form what he has been ... |
|
Never Not Knitting! Page-A-Day Calendar 2009»rank: 1309par: Stephanie Pearl-McPhee
Chroniques et points de vue:From :Writing for the screen is quirky business. A writer must labor meticulously over his or her prose, yet very little of that prose is ever heard by filmgoers. The few words that do reach the audience, in the form of the characters' dialogue, are, according to Robert McKee, best left to last in the writing process. ('As Alfred Hitchcock once remarked, 'When the screenplay has been written and the dialogue has been added, we're ready to shoot.' ') ln Story, McKee puts into book form what he has been ... |
|
The Rest Is Noise: Listening to the Twentieth Century»rank: 510par: Alex Ross
Chroniques et points de vue:Amazon.ca:Anyone who has ever gamely tried and failed to absorb, enjoy, and--especially--understand the complex works of Schoenberg, Mahler, Strauss, or even Philip Glass will allow themselves a wry smile reading New Yorker music critic Alex Ross's outstanding The Rest ls Noise. Not only does Ross manage to give historical, biographical, and social context to 20th-century pieces both major and minor, he brings the scores alive in language that's accessible and dramatic. Take Ross's description of Schoenberg's Second Quartet, 'in which he hesitates at a crossroads, contemplating various paths forming in ... |
|
Clapton: The Autobiography»rank: 603par: Eric Clapton
Chroniques et points de vue:Amazon.ca:Anyone who has ever gamely tried and failed to absorb, enjoy, and--especially--understand the complex works of Schoenberg, Mahler, Strauss, or even Philip Glass will allow themselves a wry smile reading New Yorker music critic Alex Ross's outstanding The Rest ls Noise. Not only does Ross manage to give historical, biographical, and social context to 20th-century pieces both major and minor, he brings the scores alive in language that's accessible and dramatic. Take Ross's description of Schoenberg's Second Quartet, 'in which he hesitates at a crossroads, contemplating various paths forming in ... |
|
Waiter Rant: Thanks for the Tip--Confessions of a Cynical Waiter»rank: 4633par: Waiter
Chroniques et points de vue:Amazon.ca:Anyone who has ever gamely tried and failed to absorb, enjoy, and--especially--understand the complex works of Schoenberg, Mahler, Strauss, or even Philip Glass will allow themselves a wry smile reading New Yorker music critic Alex Ross's outstanding The Rest ls Noise. Not only does Ross manage to give historical, biographical, and social context to 20th-century pieces both major and minor, he brings the scores alive in language that's accessible and dramatic. Take Ross's description of Schoenberg's Second Quartet, 'in which he hesitates at a crossroads, contemplating various paths forming in ... |
|
Eats, Shoots and Leaves»rank: 1054par: Lynne Truss
Chroniques et points de vue:Amazon.ca:Anyone who has ever gamely tried and failed to absorb, enjoy, and--especially--understand the complex works of Schoenberg, Mahler, Strauss, or even Philip Glass will allow themselves a wry smile reading New Yorker music critic Alex Ross's outstanding The Rest ls Noise. Not only does Ross manage to give historical, biographical, and social context to 20th-century pieces both major and minor, he brings the scores alive in language that's accessible and dramatic. Take Ross's description of Schoenberg's Second Quartet, 'in which he hesitates at a crossroads, contemplating various paths forming in ... |
|
Are You There, Vodka? It's Me, Chelsea»rank: 682par: Chelsea Handler
Chroniques et points de vue:Amazon.ca:Anyone who has ever gamely tried and failed to absorb, enjoy, and--especially--understand the complex works of Schoenberg, Mahler, Strauss, or even Philip Glass will allow themselves a wry smile reading New Yorker music critic Alex Ross's outstanding The Rest ls Noise. Not only does Ross manage to give historical, biographical, and social context to 20th-century pieces both major and minor, he brings the scores alive in language that's accessible and dramatic. Take Ross's description of Schoenberg's Second Quartet, 'in which he hesitates at a crossroads, contemplating various paths forming in ... |
|
Bumping Into Geniuses»rank: 1586par: Danny Goldberg
Chroniques et points de vue:Amazon.ca:Anyone who has ever gamely tried and failed to absorb, enjoy, and--especially--understand the complex works of Schoenberg, Mahler, Strauss, or even Philip Glass will allow themselves a wry smile reading New Yorker music critic Alex Ross's outstanding The Rest ls Noise. Not only does Ross manage to give historical, biographical, and social context to 20th-century pieces both major and minor, he brings the scores alive in language that's accessible and dramatic. Take Ross's description of Schoenberg's Second Quartet, 'in which he hesitates at a crossroads, contemplating various paths forming in ... |
|
Harrington on Cash Games, Volume I: How to Play No-Limit Hold 'em Cash Games»rank: 1169par: Dan Harrington, Bill Robertie
Chroniques et points de vue:Amazon.ca:Anyone who has ever gamely tried and failed to absorb, enjoy, and--especially--understand the complex works of Schoenberg, Mahler, Strauss, or even Philip Glass will allow themselves a wry smile reading New Yorker music critic Alex Ross's outstanding The Rest ls Noise. Not only does Ross manage to give historical, biographical, and social context to 20th-century pieces both major and minor, he brings the scores alive in language that's accessible and dramatic. Take Ross's description of Schoenberg's Second Quartet, 'in which he hesitates at a crossroads, contemplating various paths forming in ... |