Meilleures ventes > > Arts and Photography
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Meilleures ventes > > Arts and Photography
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The Mother Tongue»rank: 30881par: Bill Bryson
Chroniques et points de vue:From :Who would have thought that a book about English would be so entertaining? Certainly not this grammar-allergic reviewer, but The Mother Tongue pulls it off admirably. Bill Bryson--a zealot--is the right man for the job. Who else could rhapsodize about 'the colorless murmur of the schwa' with a straight face? lt is his unflagging enthusiasm, seeping from between every sentence, that carries the book. Bryson displays an encyclopedic knowledge of his topic, and this inevitably encourages a light tone; the more you know about a subject, the ... |
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Preacher VOL 04: Ancient History»rank: 32151par: Garth Ennis
Chroniques et points de vue:From :While technically the fourth book in the Preacher series, Ancient History isn't part of the main Preacher story line and doesn't even use any of the main characters (Reverend Jesse Custer, his girlfriend, Tulip, and his vampire buddy Cassidy). lnstead, this collection of side stories delves into the freakish, perverse, and downright mythic supporting characters. The main feature is the 106-page demonic Western featuring the 'Saint of Killers.' ln many ways this guy--and the spirit of the ruthless frontier he represents--is the soul of the Preacher series. ... |
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Long Way Down Illustrated Edition»rank: 18063par: Ewan Mcgregor
Chroniques et points de vue:From :While technically the fourth book in the Preacher series, Ancient History isn't part of the main Preacher story line and doesn't even use any of the main characters (Reverend Jesse Custer, his girlfriend, Tulip, and his vampire buddy Cassidy). lnstead, this collection of side stories delves into the freakish, perverse, and downright mythic supporting characters. The main feature is the 106-page demonic Western featuring the 'Saint of Killers.' ln many ways this guy--and the spirit of the ruthless frontier he represents--is the soul of the Preacher series. ... |
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Film Directing Shot by Shot: Visualizing from Concept to Screen»rank: 19139par: Steve Katz
Chroniques et points de vue:From :Film Directing Shot by Shot offers a good introduction to the rudiments of film production. Steven D. Katz walks his readers through the various stages of moviemaking, advising them at every turn to visualize the films they wish to produce. Katz believes that one of the chief tasks of filmmaking is to negotiate between our three-dimensional reality and the two-dimensionality of the screen. He covers the number of technical options filmmakers can use to create a satisfying flow of shots, a continuity that will make sense to ... |
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Participation»rank: 1009de: The MIT Press
Chroniques et points de vue:From :Film Directing Shot by Shot offers a good introduction to the rudiments of film production. Steven D. Katz walks his readers through the various stages of moviemaking, advising them at every turn to visualize the films they wish to produce. Katz believes that one of the chief tasks of filmmaking is to negotiate between our three-dimensional reality and the two-dimensionality of the screen. He covers the number of technical options filmmakers can use to create a satisfying flow of shots, a continuity that will make sense to ... |
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Google SketchUp For Dummies»rank: 5832par: Aidan Chopra
Chroniques et points de vue:From :Film Directing Shot by Shot offers a good introduction to the rudiments of film production. Steven D. Katz walks his readers through the various stages of moviemaking, advising them at every turn to visualize the films they wish to produce. Katz believes that one of the chief tasks of filmmaking is to negotiate between our three-dimensional reality and the two-dimensionality of the screen. He covers the number of technical options filmmakers can use to create a satisfying flow of shots, a continuity that will make sense to ... |
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Fingerprint: The Art of Using Hand-Made Elements in Graphic Design»rank: 415par: Chen Design Associates
Chroniques et points de vue:From :Film Directing Shot by Shot offers a good introduction to the rudiments of film production. Steven D. Katz walks his readers through the various stages of moviemaking, advising them at every turn to visualize the films they wish to produce. Katz believes that one of the chief tasks of filmmaking is to negotiate between our three-dimensional reality and the two-dimensionality of the screen. He covers the number of technical options filmmakers can use to create a satisfying flow of shots, a continuity that will make sense to ... |
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Long Way Round Illustrated Edition»rank: 29161par: Ewan Mcgregor
Chroniques et points de vue:From :Film Directing Shot by Shot offers a good introduction to the rudiments of film production. Steven D. Katz walks his readers through the various stages of moviemaking, advising them at every turn to visualize the films they wish to produce. Katz believes that one of the chief tasks of filmmaking is to negotiate between our three-dimensional reality and the two-dimensionality of the screen. He covers the number of technical options filmmakers can use to create a satisfying flow of shots, a continuity that will make sense to ... |
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The Ten-Cent Plague: The Great Comic-Book Scare and How It Changed America»rank: 17479par: David Hajdu
Chroniques et points de vue:From :Film Directing Shot by Shot offers a good introduction to the rudiments of film production. Steven D. Katz walks his readers through the various stages of moviemaking, advising them at every turn to visualize the films they wish to produce. Katz believes that one of the chief tasks of filmmaking is to negotiate between our three-dimensional reality and the two-dimensionality of the screen. He covers the number of technical options filmmakers can use to create a satisfying flow of shots, a continuity that will make sense to ... |
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2009 Photographer's Market»rank: 8917par: Editors of Writers Digest Books
Chroniques et points de vue:From :Film Directing Shot by Shot offers a good introduction to the rudiments of film production. Steven D. Katz walks his readers through the various stages of moviemaking, advising them at every turn to visualize the films they wish to produce. Katz believes that one of the chief tasks of filmmaking is to negotiate between our three-dimensional reality and the two-dimensionality of the screen. He covers the number of technical options filmmakers can use to create a satisfying flow of shots, a continuity that will make sense to ... |