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The Volunteer: A Canadian's Secret Life in the Mossad»rank: 58719par: Michael Ross, Jonathan Kay
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The Volunteer: A Canadian's Secret Life in the Mossad»rank: 26793par: Michael Ross, Jonathan Kay
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Spend Game»rank: 26793par: Jonathan Gash, Christopher Kay
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The Lost»rank: 26793par: Jonathan Aycliffe
Chroniques et points de vue:From :Jonathan Aycliffe draws on the first part of Bram Stoker's Dracula for the bones of his story--a naive Englishman travels to a remote, forbidding castle in the mountains of Transylvania (postcommunist Romania)--and then fleshes it out with appealing characters and a different (but unabashedly gothic) plot. Aycliffe's writing is simple and fluid, concisely developing the shifting emotions and relationships as the dark underbelly of the story slowly reveals itself. The evil beings in The Lost are not vampires, but strigoï--free-floating shades of an ancient family of lords. They die ... |
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Trans-National Issues, Local Concerns and Meanings of Post-Socialism: Insights from Russia, Central Eastern Europe, and Beyond»rank: 26793de: University Press of America
Chroniques et points de vue:From :Jonathan Aycliffe draws on the first part of Bram Stoker's Dracula for the bones of his story--a naive Englishman travels to a remote, forbidding castle in the mountains of Transylvania (postcommunist Romania)--and then fleshes it out with appealing characters and a different (but unabashedly gothic) plot. Aycliffe's writing is simple and fluid, concisely developing the shifting emotions and relationships as the dark underbelly of the story slowly reveals itself. The evil beings in The Lost are not vampires, but strigoï--free-floating shades of an ancient family of lords. They die ... |
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Enchanting Powers: Music in the Worlds Religions»rank: 569306de: Harvard Center for the Study of World Religions
Chroniques et points de vue:From :Jonathan Aycliffe draws on the first part of Bram Stoker's Dracula for the bones of his story--a naive Englishman travels to a remote, forbidding castle in the mountains of Transylvania (postcommunist Romania)--and then fleshes it out with appealing characters and a different (but unabashedly gothic) plot. Aycliffe's writing is simple and fluid, concisely developing the shifting emotions and relationships as the dark underbelly of the story slowly reveals itself. The evil beings in The Lost are not vampires, but strigoï--free-floating shades of an ancient family of lords. They die ... |
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Staring at Ceilings»rank: 569306par: Jonathan Kay, Brenda Kay
Chroniques et points de vue:From :Jonathan Aycliffe draws on the first part of Bram Stoker's Dracula for the bones of his story--a naive Englishman travels to a remote, forbidding castle in the mountains of Transylvania (postcommunist Romania)--and then fleshes it out with appealing characters and a different (but unabashedly gothic) plot. Aycliffe's writing is simple and fluid, concisely developing the shifting emotions and relationships as the dark underbelly of the story slowly reveals itself. The evil beings in The Lost are not vampires, but strigoï--free-floating shades of an ancient family of lords. They die ... |
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XQuery from the Experts: A Guide to the W3C XML Query Language»rank: 523064par: Howard Katz, Don Chamberlin, Denise Draper, Mary Fernandez, Michael Kay, Jonathan Robie, Michael Rys, Jerome Simeon, Jim Tivy, Philip Wadler
Chroniques et points de vue:From :Jonathan Aycliffe draws on the first part of Bram Stoker's Dracula for the bones of his story--a naive Englishman travels to a remote, forbidding castle in the mountains of Transylvania (postcommunist Romania)--and then fleshes it out with appealing characters and a different (but unabashedly gothic) plot. Aycliffe's writing is simple and fluid, concisely developing the shifting emotions and relationships as the dark underbelly of the story slowly reveals itself. The evil beings in The Lost are not vampires, but strigoï--free-floating shades of an ancient family of lords. They die ... |
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Trans-National Issues, Local Concerns and Meanings of Post-Socialism: Insights from Russia, Central Eastern Europe, and Beyond»rank: 523064de: University Press of America
Chroniques et points de vue:From :Jonathan Aycliffe draws on the first part of Bram Stoker's Dracula for the bones of his story--a naive Englishman travels to a remote, forbidding castle in the mountains of Transylvania (postcommunist Romania)--and then fleshes it out with appealing characters and a different (but unabashedly gothic) plot. Aycliffe's writing is simple and fluid, concisely developing the shifting emotions and relationships as the dark underbelly of the story slowly reveals itself. The evil beings in The Lost are not vampires, but strigoï--free-floating shades of an ancient family of lords. They die ... |
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Origins of Scientific Learning: Essays on Culture and Knowledge in Early Modern Europe»rank: 523064de: Edwin Mellen Pr
Chroniques et points de vue:From :Jonathan Aycliffe draws on the first part of Bram Stoker's Dracula for the bones of his story--a naive Englishman travels to a remote, forbidding castle in the mountains of Transylvania (postcommunist Romania)--and then fleshes it out with appealing characters and a different (but unabashedly gothic) plot. Aycliffe's writing is simple and fluid, concisely developing the shifting emotions and relationships as the dark underbelly of the story slowly reveals itself. The evil beings in The Lost are not vampires, but strigoï--free-floating shades of an ancient family of lords. They die ... |