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Giving Offense: Essays on Censorship»rank: 87829par: J. M. Coetzee
Chroniques et points de vue:From :ln this collection of eight essays, South African novelist J. M. Coetzee examines the complexities of censorship beyond the model of villainous censor and victimized artist. Having lived in a police state, Coetzee's experience is that 'the same censors patrol the boundaries of both politics and esthetics.' By contrast, in the United States, the way for artists to get away with representations that some find offensive or forbidden is to argue that their work has some political worth. Though Coetzee admits he doesn't know what to think of artists ... |
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The Province of Administrative Law»rank: 88872par: Michael Ed. Taggart
Chroniques et points de vue:From :ln this collection of eight essays, South African novelist J. M. Coetzee examines the complexities of censorship beyond the model of villainous censor and victimized artist. Having lived in a police state, Coetzee's experience is that 'the same censors patrol the boundaries of both politics and esthetics.' By contrast, in the United States, the way for artists to get away with representations that some find offensive or forbidden is to argue that their work has some political worth. Though Coetzee admits he doesn't know what to think of artists ... |
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Riding to the Rescue: The Transformation of the RCMP in Alberta and Saskatchewan, 1914-1939»rank: 99491par: Steve Hewitt
Chroniques et points de vue:From :ln this collection of eight essays, South African novelist J. M. Coetzee examines the complexities of censorship beyond the model of villainous censor and victimized artist. Having lived in a police state, Coetzee's experience is that 'the same censors patrol the boundaries of both politics and esthetics.' By contrast, in the United States, the way for artists to get away with representations that some find offensive or forbidden is to argue that their work has some political worth. Though Coetzee admits he doesn't know what to think of artists ... |
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Fixing Failed States»rank: 10514par: Ashraf Ghani, Clare Lockhart
Chroniques et points de vue:From :ln this collection of eight essays, South African novelist J. M. Coetzee examines the complexities of censorship beyond the model of villainous censor and victimized artist. Having lived in a police state, Coetzee's experience is that 'the same censors patrol the boundaries of both politics and esthetics.' By contrast, in the United States, the way for artists to get away with representations that some find offensive or forbidden is to argue that their work has some political worth. Though Coetzee admits he doesn't know what to think of artists ... |
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In the Shadow of the Gallows: Capital Punishment in Prince Edward Island, 1769-1941»rank: 89681par: Jim Hornby
Chroniques et points de vue:From :ln this collection of eight essays, South African novelist J. M. Coetzee examines the complexities of censorship beyond the model of villainous censor and victimized artist. Having lived in a police state, Coetzee's experience is that 'the same censors patrol the boundaries of both politics and esthetics.' By contrast, in the United States, the way for artists to get away with representations that some find offensive or forbidden is to argue that their work has some political worth. Though Coetzee admits he doesn't know what to think of artists ... |
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The Common Law»rank: 89731par: O. W., Jr. Holmes
Chroniques et points de vue:From :ln this collection of eight essays, South African novelist J. M. Coetzee examines the complexities of censorship beyond the model of villainous censor and victimized artist. Having lived in a police state, Coetzee's experience is that 'the same censors patrol the boundaries of both politics and esthetics.' By contrast, in the United States, the way for artists to get away with representations that some find offensive or forbidden is to argue that their work has some political worth. Though Coetzee admits he doesn't know what to think of artists ... |
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Racial Profiling in Canada»rank: 90031par: Carol Tator, Frances Henry
Chroniques et points de vue:From :ln this collection of eight essays, South African novelist J. M. Coetzee examines the complexities of censorship beyond the model of villainous censor and victimized artist. Having lived in a police state, Coetzee's experience is that 'the same censors patrol the boundaries of both politics and esthetics.' By contrast, in the United States, the way for artists to get away with representations that some find offensive or forbidden is to argue that their work has some political worth. Though Coetzee admits he doesn't know what to think of artists ... |
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How to Build and Manage a Family Law Practice»rank: 92077par: Mark A. Chinn
Chroniques et points de vue:From :ln this collection of eight essays, South African novelist J. M. Coetzee examines the complexities of censorship beyond the model of villainous censor and victimized artist. Having lived in a police state, Coetzee's experience is that 'the same censors patrol the boundaries of both politics and esthetics.' By contrast, in the United States, the way for artists to get away with representations that some find offensive or forbidden is to argue that their work has some political worth. Though Coetzee admits he doesn't know what to think of artists ... |
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Forensics For Dummies»rank: 18365par: Douglas P. Lyle
Chroniques et points de vue:From :ln this collection of eight essays, South African novelist J. M. Coetzee examines the complexities of censorship beyond the model of villainous censor and victimized artist. Having lived in a police state, Coetzee's experience is that 'the same censors patrol the boundaries of both politics and esthetics.' By contrast, in the United States, the way for artists to get away with representations that some find offensive or forbidden is to argue that their work has some political worth. Though Coetzee admits he doesn't know what to think of artists ... |
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Every Canadian's Guide to the Law»rank: 90906par: Linda S Dranoff
Chroniques et points de vue:From :ln this collection of eight essays, South African novelist J. M. Coetzee examines the complexities of censorship beyond the model of villainous censor and victimized artist. Having lived in a police state, Coetzee's experience is that 'the same censors patrol the boundaries of both politics and esthetics.' By contrast, in the United States, the way for artists to get away with representations that some find offensive or forbidden is to argue that their work has some political worth. Though Coetzee admits he doesn't know what to think of artists ... |