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Bone #4: Dragonslayer

Bone #4: Dragonslayer

»rank: 4362

par: Jeff Smith


Chroniques et points de vue:From :When Bone first came on the scene, critics raved about it, often mentioning it as being 'fun for the whole family.' Jeff Smith has always been wary about others labeling his work 'for children,' partly because he knew that 'no topic of human experience--from the introspection of Peanuts or the politics of Doonesbury to the lyricism of Pogo--was beyond the wonderful world of comics.' He was also cautious because he knew that the story he was telling was going to deal with issues and themes graver than ...


In Odd We Trust

In Odd We Trust

»rank: 4287

par: Dean Koontz


Chroniques et points de vue:From :When Bone first came on the scene, critics raved about it, often mentioning it as being 'fun for the whole family.' Jeff Smith has always been wary about others labeling his work 'for children,' partly because he knew that 'no topic of human experience--from the introspection of Peanuts or the politics of Doonesbury to the lyricism of Pogo--was beyond the wonderful world of comics.' He was also cautious because he knew that the story he was telling was going to deal with issues and themes graver than ...


Death Note Box Set  (Volumes 1-13): Volumes 1 - 13

Death Note Box Set (Volumes 1-13): Volumes 1 - 13

»rank: 2636

par: Tsugumi Ohba


Chroniques et points de vue:From :When Bone first came on the scene, critics raved about it, often mentioning it as being 'fun for the whole family.' Jeff Smith has always been wary about others labeling his work 'for children,' partly because he knew that 'no topic of human experience--from the introspection of Peanuts or the politics of Doonesbury to the lyricism of Pogo--was beyond the wonderful world of comics.' He was also cautious because he knew that the story he was telling was going to deal with issues and themes graver than ...


Bone #6: Old Man's Cave

Bone #6: Old Man's Cave

»rank: 5021

par: Jeff Smith


Chroniques et points de vue:From :When Bone first came on the scene, critics raved about it, often mentioning it as being 'fun for the whole family.' Jeff Smith has always been wary about others labeling his work 'for children,' partly because he knew that 'no topic of human experience--from the introspection of Peanuts or the politics of Doonesbury to the lyricism of Pogo--was beyond the wonderful world of comics.' He was also cautious because he knew that the story he was telling was going to deal with issues and themes graver than ...


Ultimate X-Men Volume 19: Absolute Power TPB

Ultimate X-Men Volume 19: Absolute Power TPB

»rank: 20273

par: Aron Coleite
par: Mark Brooks


Chroniques et points de vue:From :When Bone first came on the scene, critics raved about it, often mentioning it as being 'fun for the whole family.' Jeff Smith has always been wary about others labeling his work 'for children,' partly because he knew that 'no topic of human experience--from the introspection of Peanuts or the politics of Doonesbury to the lyricism of Pogo--was beyond the wonderful world of comics.' He was also cautious because he knew that the story he was telling was going to deal with issues and themes graver than ...


Serenity: Those Left Behind

Serenity: Those Left Behind

»rank: 3058

par: Joss Whedon, Brett Matthews
par: Will Conrad


Chroniques et points de vue:From :When Bone first came on the scene, critics raved about it, often mentioning it as being 'fun for the whole family.' Jeff Smith has always been wary about others labeling his work 'for children,' partly because he knew that 'no topic of human experience--from the introspection of Peanuts or the politics of Doonesbury to the lyricism of Pogo--was beyond the wonderful world of comics.' He was also cautious because he knew that the story he was telling was going to deal with issues and themes graver than ...


The Complete Peanuts 1969-1970

The Complete Peanuts 1969-1970

»rank: 1300

par: Charles M Schulz


Chroniques et points de vue:From :When Bone first came on the scene, critics raved about it, often mentioning it as being 'fun for the whole family.' Jeff Smith has always been wary about others labeling his work 'for children,' partly because he knew that 'no topic of human experience--from the introspection of Peanuts or the politics of Doonesbury to the lyricism of Pogo--was beyond the wonderful world of comics.' He was also cautious because he knew that the story he was telling was going to deal with issues and themes graver than ...


The Walking Dead Volume 4 HC

The Walking Dead Volume 4 HC

»rank: 303

par: Robert Kirkman
par: Charlie Adlard, Cliff Rathburn


Chroniques et points de vue:From :When Bone first came on the scene, critics raved about it, often mentioning it as being 'fun for the whole family.' Jeff Smith has always been wary about others labeling his work 'for children,' partly because he knew that 'no topic of human experience--from the introspection of Peanuts or the politics of Doonesbury to the lyricism of Pogo--was beyond the wonderful world of comics.' He was also cautious because he knew that the story he was telling was going to deal with issues and themes graver than ...


Fables Vol. 11: War and Pieces

Fables Vol. 11: War and Pieces

»rank: 415

de: Vertigo


Chroniques et points de vue:From :When Bone first came on the scene, critics raved about it, often mentioning it as being 'fun for the whole family.' Jeff Smith has always been wary about others labeling his work 'for children,' partly because he knew that 'no topic of human experience--from the introspection of Peanuts or the politics of Doonesbury to the lyricism of Pogo--was beyond the wonderful world of comics.' He was also cautious because he knew that the story he was telling was going to deal with issues and themes graver than ...


The Perry Bible Fellowship: The Trial of Colonel Sweeto and Other Stories

The Perry Bible Fellowship: The Trial of Colonel Sweeto and Other Stories

»rank: 1697

par: Nicholas Gurewitch
par: Nicholas Gurewitch


Chroniques et points de vue:From :When Bone first came on the scene, critics raved about it, often mentioning it as being 'fun for the whole family.' Jeff Smith has always been wary about others labeling his work 'for children,' partly because he knew that 'no topic of human experience--from the introspection of Peanuts or the politics of Doonesbury to the lyricism of Pogo--was beyond the wonderful world of comics.' He was also cautious because he knew that the story he was telling was going to deal with issues and themes graver than ...



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